Blue is the warmest colour graphic novel

#BLUE IS THE WARMEST COLOUR GRAPHIC NOVEL MOVIE#

Nevertheless, thereвЂ™s no denying that this view sometimes has the ring of validity. And, of course, it also undercuts the very premise of what acting is. Taken to its logical extreme, it could produce a kind of artistic fascism in which no one was allowed to play anyone who was very different from themselves. This, of course, is a slippery slope of an argument, one that has the doctrinaire ring of identity politics. That argument has a very familiar ring, because itвЂ™s a version of the kind of argument thatвЂ™s been made in recent years that actors shouldnвЂ™t pretend to be handicapped, or someone of a race theyвЂ™re not, when there are plenty of good actors around who are handicapped, or are of that race, and could fill the role just as well or better.

#BLUE IS THE WARMEST COLOUR GRAPHIC NOVEL MOVIE#

ItвЂ™s almost too easy to attack Julie MarohвЂ™s contention that the actresses who starred in the movie of her graphic (pun intended) novel should have been lesbians themselves. A film like Blue Is the Warmest Color returns us to the days when sex in the movies mattered because it showed us something about ourselves. Years of blahly sensational exploitation films, explicit cable-TV programming, and readily available Internet porn have dulled our ability to watch the staging of human sexuality with open eyes. Years ago, in the вЂ™60s and вЂ™70s, art films, usually from Europe or Asia, showcased human sexuality, and occasionally made headlines (and sold a lot of tickets) doing so, but itвЂ™s been a long time since a movieвЂ™s sexuality made it any sort of conversation piece. The scenes are explicit, but they are hardly вЂњporn,вЂќ because they are also intensely dramatic we couldnвЂ™t fully understand this relationship - the level of obsession that drives it - without them. For the power of the scenes is that theyвЂ™re really about what AdГЁle (AdГЁle Exarchopoulos), the filmвЂ™s heroine, and her lover, Emma (LГ©a Seydoux), are feeling as they let themselves go into an often aggressive erotic trance.

Its sex scenes, particularly the first one, which lasts close to 15 minutes, are intensely intimate, and casually graphic, but to say that they вЂњleave little to the imaginationвЂќ would be weirdly reductive. In The New York Times, Manohla Dargis wrote a dissenting view, arguing that the film raised troubling issues about the depiction of female sexuality on screen she said that the filmвЂ™s explicitness wasnвЂ™t so much artful as it was a case of pandering to the male gaze.Д«lue Is the Warmest Color is a serious, adventurous, and - yes - highly erotic coming-of-age drama. But there were also murmurs of discontent. There were instant cries that the movie would win the Palme dвЂ™Or, and it did. (ThatвЂ™s very 2013.) When Blue Is the Warmest Color played last month at the Cannes Film Festival, the three-hour French lesbian drama, with its lengthy and explicit scenes of bedroom intimacy, received a mostly rapturous response. This time, the clampdown comes from the forces of the liberal-left. This time, however, the controversy isnвЂ™t coming from the forces of conservatism - from a clampdown by the ratings board or from family newspapers that donвЂ™t want to advertise a film they deem indecent. ThereвЂ™s something almost reassuring about the fact that in 2013, a movie sex scene could still be controversial.

Blue is the warmest colour graphic novel